John Casor Project
Read the Screenplay
Jamestown period art
Historical Drama • Colonial Virginia

John Casor

An American Hero & the First Legally Declared Slave

A love-and-law crucible centered on John Casor, Virginia Johnson, and Anthony Johnson — a turning point when lifetime servitude was written into the record.

“Virginia’s first legally recognized slave was enslaved by a Black man to protect him from slavery.”
— Project logline
John Casor depiction

About

This project spotlights a little‑taught legal moment in colonial Virginia. When John Casor sought freedom, a court decision returned him to lifetime servitude under Anthony Johnson, creating precedent that foreshadowed codified race‑based slavery. The story centers human complexity — love, property, status — over easy narratives.

Format

Feature screenplay; expandable to a limited series.

Setting

Jamestown, Eastern Shore & Maryland, 1619–1670.

Themes

Law & love • Power & property • Identity & origin.

Read the Screenplay

Shareware edition for review and discussion.

Script cover

Screenplay (PDF)

Download the shareware script.

One‑Sheet & Press

Request the producer one‑sheet, coverage highlights, and rights availability.

Request Press Kit

Coverage & Comments

Industry reactions and scholarship in progress.

Why it resonates

A rarely depicted legal case reveals how fluid status hardened into lifelong servitude. The narrative foregrounds agency, contradiction, and consequence.

Format viability

Feature film or 4‑part limited series. Historically grounded; character‑forward.

Research & Timeline

Key moments that inform the story (1619–1670).

  1. 1619: Earliest Africans recorded in Virginia; complex statuses ranging from captives to indentures.
  2. 1621–1635: Anthony Johnson survives the 1622 attack; becomes a free landowner on the Eastern Shore.
  3. 1640s–1655: John Casor’s contested status culminates in a court ruling that returns him to Johnson for life.
  4. After 1655: Johnson family relocates to Maryland; subsequent property disputes and legal setbacks.

Note: This project engages with primary sources and modern scholarship; interpretations are presented with care and invite discussion.